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By Jim Murtha

Pick up any book on writing fiction. You’ll find a section on point of view (POV). Open any novel and read the first paragraph or two. Look for the pronouns. Ignoring dialog, if you find “I”, the story is told in first person and the author lets the reader see things and feel emotions through the narrator’s eyes. Otherwise, a character, usually the main character, at first referred to by name but subsequently by “he” or “she” provides the point of view. The reader sees and feels what that character sees and feels. Some fiction relies on an omniscient POV, where the reader sees and hears things that no character can sense. In other cases the POV changes from one character to another.

Some writers treat POV with kid gloves, others are more casual about it. Every critique group has its POV maven.

How important is POV when you write a story? Are there rules to never break? What are the types of POV? What do the experts say and do? Can ignorance of POV destroy your story? To what degree does POV limit the narrative? Are there genres that must be written in one particular POV? These are some of the questions to guide us as we explore.

Out of personal preference and because of the breadth of this subject most examples are drawn from short fiction.
(to read more please visit jamesamurtha.com).